Test BB Mi

Hola everyone

Thanks Gijs for the workshop and overview <3

**I am excited!

**and also intimidated :_

We’ll figure out, I am sure

By prototyping

Indeed, I had the same question as Mark: Could we edit or design how labels are displayed when all together?

*BB

**Bb

quoteBB label

~~Lorem Ipsum~~ is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a interesting-practice~~type specimen~~ ~~book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was~~ question~~popularised~~ ~~in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum~~

Screenshot 2026-03-31 at 13.37.02.png

Small File Media Workshop

interesting-practiceSmall-file Media Screening at Rory Gallagher Theatre, MTU Bishopstown Campus, Cork, 24th March 2026. A Review

Radek Przedpełski

moodAmazing day trip to Cork with Claire Nidecker and a group of NCAD students/interesting-practicesmall-filemedia makers. The trip culminated in a screening of interesting-practicesmall-filemovies beautifully curated by Material Gestures (Collette Nolan and Colette Lewis) at MTU Crawford College of Art and Design, Cork. The films brough together works of art students from National College of Art & Design, Dublin and MTU. It was a special moment and a culmination of the year-long dialogue between Cork-based Material Gestures and Dublin-based Frugal Media Research Group (Chloe Brennan, Claire Nidecker, Cliona Harmey and Sarah Durcan). Many thanks to MTU Arts Office for hosting the screening in the rockin’ Rory Gallagher Theatre, MTU Bishopstown Campus!

Our conversation started last year during the FRUGAL MEDIA symposium at NCAD, followed by my small-file media talks and workshops at NCAD and MTU. The student projects then germinated with the kind support of Material Gestures and FRUGAL MEDIA. What an absolute delight it was to see a community of makers come into being!

reflectionThere is something magical about watching [[interesting-practice | Small File movies on the big screen. Across an impressive array of techniques (glitch media, compression aesthetics, datamoshing, archival footage, field recording, night vision camera, weird apps, obsolete media (incl. Nintendo DS)), twenty-two beautifully crafted films made perceptible how does it feel to inhabit the earth. Not a static landscape but a moving, fragmented earth, shot through data infrastructures and cliches. What came to the fore for me was how these films affirmed, one way or another, a sense of being out in the field, be it countryside, or an urban garden; inhabiting the field of vision; journeying to a site, or non-site; embodying a molecular field of energy. There was a special quality to the filigree pixel patterns at the thin places between waking life and dream that punctuated many of the screened films, akin to the knotted patterns of Celtic designs. It was a moving moment to engage with the small-file films negotiating a sense of place and identity on this island, on which we stand,
whose air we breathe,
whose movement we sense. The films navigated these issues with poetic cadence, bravado and lyricism. The sound quality and music was exquisite, from sounds of wooden objects through distorted bagpipes, to drum’n’bass.

—————This programme will be going places!]]

Collecting and Connecting

Collecting

and

Connecting

quoteThis workgroup maps the often-invisible regenerative material and digital practices already embedded in existing cultural and creative networks. Through surveys and collaborative sessions, it surfaces latent forms of circularity as well as gaps and challenges. As a counterpoint to technocratic diagrams like the butterfly model, this counter-mapping centers lived knowledge, collective infrastructures, and emerging patterns of care, aiming to support transitions toward more cohesive, viable, and ecologically grounded creative practices.

questionThis workgroup furthermore examines how research methodologies from across the work packages can be shared with the consortium’s diverse communities and geographies. In traditional lab environments, documentation preserves experiments, ensures comparability, and leaves a research trace. But keeping a record is also a means to claim ownership over the results. This worgroup aims to question this notion of ownership over knowledge. An iteration of the open-source publishing tool Etherport will be integrated into the project to support collaborative documentation of workshop activities. Originally developed by Gijs de Heij and the Institute of Network Cultures (INC) within the SIA-RAAK-funded research project Going Hybrid!, Etherport is actively maintained and used by various research communities such as the Institute of Network Cultures and Amateur Cities. With the INC set to close in 2026, Etherport is seeking a new hosting organization.

Aligned with the themes of this application, the Connecting Otherwise consortium supports the collective maintenance of Etherport, and the diverse artist/design research communities it serves. In accordance with circular principles, this WP adopts Etherport as a case study in regenerative, commons-based digital infrastructure—prioritizing care and continuation over the creation of new tools. The aim is to develop Etherport with a stronger focus on sustainability and accessibility, and for long-term integration into art and design research. A workshop for GRA/SI students will support adoption and encourage broader use across partner institutions. Additionally, by using the tool to document this project across different partner institutions, we aim to encourage its broader use. With INC’s discontinuation it will be important for Etherport to establish a stable, distributed user base.

We plan to expand Etherport’s capabilities to specifically facilitate workshop documentation. This builds on H&D’s work for the Energy Storage research group (co-led by Dorine van Meel, WP 2), where they developed the LabJournal tool using similar technology.

The documentation tools will support the entire research process, enabling the development of a hybrid publication. Insights from the various WPs will directly inform the evolution of the publishing infrastructure — such as WP 3’s work on small file publishing will inform how images and media are compressed for lighter publication on Etherport.

Questions:

What existing material and regenerative practices are present within participating organizations and their wider networks, and how can these be surfaced through artistic and community-based counter-mapping methodologies?
How can counter-mapping and alternative aesthetic strategies challenge dominant representations of circularity, fostering more nuanced, politically engaged understandings in cultural and community contexts?
In what ways can circular approaches to digital infrastructure and documentation—emphasizing community governance, local hosting, and open dissemination—support shared ownership, accessibility, and sustainable stewardship within cultural organizations?

Collaborators WP1

None

Internal work session 1: Documentation & publishing infrastructure

You can edit this pad by visiting: https://etherport.org/w/rsr::Connecting_Otherwise::WP1:_Collecting_and_Connecting::Notes.md

Note: changes may not show up directly in the site

Agenda

Date / time: 9th of April, 11.00-13.30
Participants: Gijs, Lilian, Heerko, Anja, Márk, Dorine, Margarita, Radek, Michèle, BB, Sepp, Gleb, Ismael
Questions to work on:
- Etherport introduction, onboarding
- Development documentation framework for Connecting Otherwise
  - Involves: Sharing of possible learning formats, and how documentation can be integral to a workshop situation
  - Where/how do the learning formats live on after the project is completed?

Please prepare:

read the pad
try your log ins (https://etherport.org/publications/) > you will receive them shortly
think about interesting documentation strategies

Schedule

11.00 Introduction, short updates Workpackages 2,3,4

11.15 Updates preliminary website & Etherport, introducting structure of the session

11.30 Introduction Etherport by Gijs + trying out Etherport together

12.30 Short break

12.45 Round: Ideas about structure and strategies of online and offline documentation / publication / usage of labels, tags, annotations

13.00 Proposal structure for website

13.10 Wishlist & Bugs / Hacks and Workarounds: collaborative decision making

Structure proposal preliminary website:

General content
- Introduction text
- Bibliography / Further reading (per WP or a merged one?)
- Colophon
WP specific
- Workgroup title + Introduction (Lilian, Dorine, Margarita, Anja rewriting funding texts)
- Workshop scripts
- Workshop outcomes
- Reflections in different formats
- Note pads
- References / resources
- …
Other possible structuring elements
- chapters (WPs)
- tags (relating content between articles + WPs)
- annotations / reactions on the text / comments
- footnotes / references
- MO: materials (thought this could be nice since we are thinking about materiality)

Documentation workflow:

Before and during the workshop (by workshop facilitators) and during workshop (with participants)
- Documentation strategies
  - To discuss:
    - Task/role division in documentation during workshop
    - Developing a structure that can accommodate documentation during workshops
    - How to activate and include participants in the documentation, how to make use of the pads during the workshops
  - Proposed cohesion of pad structure for a workshop (prepared by workshop facilitators in collab with WP leaders):
    - Workshop title
    - Date, time, duration
    - Location
    - Additional context: Season / weather conditions / state of the world
    - Names facilitators
    - Participants (could be filled during introduction round as an onboarding to etherpad/port + what is their interest in the topic)
    - Workshop description/announcement
      - Can include learning goals / what to expect and what participants get out of the workshop
    - Time table / workshop structure
      - Participants add through eg. writing prompts / ideation space / gathering of process
    - Manual / instructions / eg. code documentations / worksheets
    - Outcomes (pictures or scans of materials, situations, texts written, works produced… )
      - recording expectations of students, what they are leaving with.... (maybe there can be some openness to what comes out of the workshop)
    - Resources / links / further readings
    - Particpant quotes during the workshop
    - Closing reflections
After the workshop
- Recorded conversations
  - group conversation (based on quotes, more dynamic)
  - interview-style (more structured)
  - …
- Reflective articles
- Postscripts
- Annotations on the workshop script
- Articles
- (Visual) essays

To dos:

Before 9 April: Move existing WP Etherpads to etherport structure
Rewriting WP introductions (by WP leaders)
In the session of 9 April discuss the “in retrospect” section of the publication. Do participants have specific articles they are working on that can be part of the publication?
With Margarita and Dorine:
- how to use etherport/pads during workshop and outside of the workshops
- what is content wise interesting to add:
  - media and formats
- documentation internal sessions vs workshops with participants
- what functions of etherport would be useful for this publication? Planning poster / Alix
Moment to check in and give comments
Content ready for Alix by 1 April (delivered by Dorine)
6 April Design ready for feedback
7 April Moment to check in and give comments
Final design ready by April 10
Print in week of April 13
Poster done by April 20

Internal Session #2: Commoning, exploring collective ownership

None

Testing Things

Testing

~~Testing~~

~~codefont~~

From a literary perspective, shitposting engages with text in its material dimension. It takes into account the materiality of language. As Goldsmith wrote about Mallarme’s poetry: “words are no longer primarily transparent content carriers; now their material quality must be considered as well”. Goldsmith, K. (2011) Uncreative Writing Columbia University Press. Keysmashing gives letters the same materiality that many modernist poets were experimenting with. It creates pieces of internet vernacular literature that are not meant to be read but to be weighed.

Asdfgh by Asdf Asdfg and ASD dfg, asdfgh (Japanese Edition), (Transparency) US – Cover creator or PDF Upload without checking checkbox by asdfgh, Marja: abhi marja by asdfg asdf, or safg by asdf.

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Colophoning Together

question~~but how?~~

Expansive colophon(ing) & WEB-to-PRINT or WEB and PRINT

colophon > reflectionPUB's collective effort

Screenshot 2026-03-31 at 13.37.02.png

Resources

Hardware and Eco-Feminist Art. Hacking and Artistic Practices Towards Ethical Technology

Patrícia J. Reis / Stefanie Wuschitz

https://www.transcript-verlag.de/978-3-8376-7862-8/hardware-and-eco-feminist-art/?c=310000017

Complicit Chips reader

https://titipi.org/wiki/index.php/Complicit_Chips_Reader

https://titipi.org/wiki/index.php/Complicit_Chips

Computing within Limits

Marloes de Valk: A pluriverse of local worlds: a review of Computing within Limits related terminology and practices

https://computingwithinlimits.org/2021/papers/limits21-devalk.pdf

The commons: Infrastructures for troubling times*),

Lauren Berlant

After progress: Notes for an ecology of perhaps

Savransky

The Symbolic Order of Technological Progress

Dani Ploeger

SANJANA PAUL, Principles for Environmental Justice in Technology: Toward a Regenerative Future for Computing

https://computingwithinlimits.org/2025/papers/limits2025-paul-justice.pdf

Iness Ben Guirat, Jan Tobias Mühlberg, Resistance Technologies: Moving Beyond Alternative Designs https://computingwithinlimits.org/2025/papers/limits2025-benguirat-resistance.pdf

Computing, Complexity and Degrowth : Systemic Considerations for Digital De-escalation

https://computingwithinlimits.org/2024/papers/limits2024-girard-deescalation.pdf

A Transversal Network of Feminist Servers

https://atnofs.constantvzw.org/

Download pdf https://hypha.ro/files/ATNOFS-screen.pdf

Laura U. Marks and Radek Przedpełski, Bandwidth Imperialism and Small-File Media

https://post45.org/2021/04/bandwidth-imperialism-and-small-file-media/

Conference / workshop / online

https://computingwithinlimits.org/2026/

Climate Justice Code / Casco

Mbembe, Earthly Community
Damaged earth catalog

https://damaged.bleu255.com/

Commoning

Silvia Federici and Peter Linebaugh. 2019. Re-Enchanting the World: Feminism and the Politics of the Commons. PM Press, Oakland

Aymeric Manxous https://www.collectiefeigendom.nl/en/ownership/digital-collective-ownership

Femke Snelting, Eva Weinmeyr https://parsejournal.com/article/ecologies-of-dissemination-editorial/

https://parsejournal.com/article/reuse-cases/**

Femke Snelting, Eva Weinmeyr, Committing to decolonial feminist practices of reuse

https://hackersanddesigners.nl/prototypes-for-a-lighter-internet-with-tumo.html

WP1 Planning Pad

You can edit this pad by visiting: https://etherport.org/w/rsr::Connecting_Otherwise::WP1:_Collecting_and_Connecting::Notes.md

Note: changes may not show up directly in the site

Preliminary meeting:

Date / time: 2 March, 15.00-16.30
Agenda:
- General update project
  - Design + preliminary website
  - WP 2 is starting
- Discuss WP1 overall planning
- WP 1-specific updates
  - Make a plan of decision making for Etherport improvements
  - First session end of March (online) (date picker)
    - 18 March – Anja, Lilian (before 14:00), Gijs, Heerko, Mark, Dorine (12.30 - 15.30) – 6
    - 1 April – Anja, Lilian, Gijs, Heerko (not ideal)x, Mark , Alix (ideally after 12), Miquel, Gersande, Dorine (12.30-15.30), Michele – 10
    - 2 April – Anja, Lilian, Margarita (I have to see if I can switch my day home with Miray with Martijn), Gijs, Alix, Mark, Dorine, Michele – 8
    - 3 April – Anja, Margarita, Gijs, Alix, Mark – 5
    - 8 April – Anja (12.00-17.00), Lilian, Gijs, Heerko, Alix, Gersande, Michele – 7
    - **9 April – Anja (before 15.00), Lilian (before 14:00), Margarita (same as before, can check with Martijn about switching my day home with Miray), Gijs, Heerko, Alix, Miquel, Gersande (after 11:00), Dorine, Michele, Mark – 10 **
    - 10 April – Anja, Margarita, Gijs, Heerko, Alix, Miquel (till 15h), Dorine, Michele (till 15h) – 8
  - Survey / sharing it : https://cloud.thehmm.nl/apps/forms/s/8HAXHy2iw9n7dSK6dipAT3jH
  - Invitation book launch: How Material Comes to Matter : https://rietveldacademie.nl/en/page/36261/publication-launch-how-material-comes-to-matter
  - Sharing of open call: https://computingwithinlimits.org/2026/ (deadline 17 March)

Internal work session #1: Documentation & publishing infrastructure

Date / time: End of March (tbc) – 2.5 hrs
Participants: Gijs, Lilian, Heerko, Anja, Márk, Dorine, Margarita, Radek, Michele, (BB), (Sepp)
Agenda / questions to work on:
- Etherport introduction, onboarding
- Development documentation framework for Connecting Otherwise
  - Involves: Sharing of possible learning formats, and how documentation can be integral to a workshop situation
  - Where/how do the learning formats live on after the project is completed? **Detailed outline and notes here: **

https://etherport.org/w/rsr::Connecting_Otherwise::WP1:_Collecting_and_Connecting::Internal_Worksession_1:_Documentation_&_publishing_infrastructure.md

Internal Session #2: Commoning, exploring collective ownership **

Date / time: End of September (tbc) – 1.5 hrs
Participants: Sepp, Lilian, Gijs, (BB), Anja, Radek, Heerko
Agenda / questions to work on:
- How can Etherport be organised in the future? What are interesting commoning strategies
- Re-use of certain tools, built on things that are already developed.
- How is Etherport going to shape in the future (structure for decision making)?

Internal Session #3: Expansive colophoning ‘collective tool ecologies’ + preparing student workshop

Date / time: Mid / end October (tbc) – 2.5 hrs
Participants: Gijs, Lilian, Anja, Márk, Heerko, Margarita, Radek, BB, (Dorine?), (Sepp?)
Agenda / questions to work on:
- Colophoning, tracing and making visible collective tool ecologies, how they intersect, travel

Student workshop(s) / Practicum Generale:

Date / time: November (+/- 4 sessions on Wednesday mornings)
Participants: Students of GRA/SI (open sign up)
Hosts: BB, Heerko + contributions by Gijs + support by Lilian, Anja, Márk
Focus:
- Colophoning / Web-to-print / Reusing knowledge and materials
- Simultaneous publication sprint with Etherport (writing, editing, designing)

November - December

Planning of final event with WP leaders:
- Participants: Lilian, Margarita, Dorine, Anja, Márk

Wishlist and Bugs

You can edit this pad by visiting: https://etherport.org/w/rsr::Connecting_Otherwise::Hacks_and_Workarounds.md

Note: changes may not show up directly in the site

Logins: Can organizations add users themselves? Yes, through the organisation page.
Different levels of publicness of pads (shareability of editable pad links) ✔
Differentiation (visually and structurally) of note pads (only visible online) and articles (visible online & pdf) ✔
TOC: possible to add more information (author names, small abstracts), now its only titles of articles ✔
2nd level hierachy of menu (website), 1. chapter, 2. articles ✔
I noticed when working on the structure of the site and pads, that i ran out of numbers in a specific number space, it’s quite tedious to go through all pads and change the numbers, maybe a secondary numbering system could be useful? like 20.1 20.2 …?
Would it be possible to add an edit view or button on the html page that brings you back quickly to the editing environment?
It would be also be great to have ‘Regenerate’ button inside a publication and inside a chapter. Yes.
is there a way to see the order of pads in the overview?

Big missions

Separate file manager access per organisation
Give administrators of organisation ability to do user management:
- Create, edit, delete or invite users
- Open or close public registration
Rethink the pad-reference system, currently there issues when pads have the same identifier (though there is no mechanism to warn the user about it), or the pad identifiers change. Solution could be to link to the more stable pad-id. Probably needs a more visual reference insertion method. But, not as relevant for etherport.
Adjust the ep_comments plugin for annotations rather than inserting the syntax into the pads.

Medium

Make the generation process more robust: failing on a pad should not crash the system. Perhaps report which pads broke with a link to them?
Show pad listing left to the etherpad editor to allow jumping between pads.
Option to show a preview of the publcation in an iframe next to the pad when editing visual styles. Would work since CSS-changes do not require a regeneration.
Upgrade the django version.
Clarify the place of the pads in the publiction through a view which lists the order of the pads. Much like a ‘spine’ in an epub.
Show status of publication at the top of each pad, with a (re-)generate button. As to give insight into which version has been generated and to make regeneration easier.
Snippets allow to insert content in specific places throughout a publication: for example a header or footer. Think of set of a snippets that would make sense for publications. Document them.
Extend, and document options which can be set through the index pad. Move where these options are set? For example what is indexed. Which elements are used in a publication.
Install a default set of paged.js plugins
italics/bold etc in the meta data fields break the regeneration.
italic/bold etc override the css style of headlines/captions etc
Generating thumbnails while generating the static site.
Work on manual / workshop script
Add etherpad plugins which move the caret after the metadata

Smaller tasks

Apply the breadcrumb navigation everywhere: currently pad renaming views don’t show breadcrumbs
Clarify relation between pads on front and back end. For example by adding an edit link on the front end, and a ‘show public page’ on the backend (latter might be more complex).
Add a message above public pads, indicating it’s public, but also it’s address.
Hide controls in the pad for people who are not logged in.
Improve the GUI of Publication overview
- Jump links to organisations
- Make listing more compact?
- Make a separation per organisation between its, a bit like tabs:
  - publication
  - Visual Styles
  - Content templates
  - users

Hacks and Workarounds

You can edit this pad by visiting: https://etherport.org/w/rsr::Connecting_Otherwise::Hacks_and_Workarounds.md

Note: changes may not show up directly in the site

General editing recommendation, open everything in a new tab :-))
Regenerate the publication by refreshing the tab “Publication was generated.” (Hard refresh?Ctrl+Shift+R?)
Word spaces should not be included inside a label, insert a space before and after the [[label: | ]].
Footnote workaround: if using numbered footnotes, please add the footnote number again at the beginning of your reference text.
Footnote format:
- Here’s a simple footnote,¹ and here’s a longer one.²
- Indent paragraphs to include them in the footnote.
- { my code }
- Add as many paragraphs as you like.
Not sure if its already possible, but can anyone make templates or do you have to have specific rights for it?

This is the first footnote. ↩
Here’s one with multiple paragraphs and code. ↩

networks

*~~Bitbanging~~

Bit banging is a term of art that describes a method of digital data transmission as using general-purpose input/output (GPIO) instead of computer hardware that is intended specifically for data communication.[1] Controlling software is responsible for satisfying protocol requirements including timing which can be challenging due to limited host system resources and competing demands on the software.

In contrast, dedicated communication hardware (e.g., UART, SPI, I²C) satisfies protocol requirements which tends to reduce the runtime load on the controlling system – software and its host processor. In particular, some communication hardware provides data buffering to lower the runtime load of the controlling system.

The bit banging method may allow a computer to support a protocol with limited or no hardware changes and therefore bit banging can be a lower cost option since changing software is typically less expensive than changing hardware.

Bit banging is commonly used in embedded systems

Earthbound Hardware

This workgroup builds upon eco-feminist principles and propositions for decolonial hardware, such as clay PCB microcontrollers and mud batteries. The material lens of clay and sand informs the exploration of alternative hardware practices, sourcing local materials to develop and speculate upon renewable, site-specific approaches to technology design.

We envision clay and sand—and their transformation into ceramic components and microchips used in

computers—not only as a basis for new aesthetics and imaginaries for future technologies, but also

as a medium whose natural degradation invites us to critically reflect on aspects of permanence and

planned obsolescence in technological design. The inherent fragility and disintegration of such materials

over time become part of the speculative framework: a way to explore hardware that decomposes, returns

to the earth, and resists the logic of disposability and extractive durability that defines most technological

production today.

This approach sparks discussions around fair-trade, ethical, and biodegradable hardware in the pursuit of

environmental justice. By integrating ancient, community-centered craft traditions into circuit-making

as an artistic practice, we challenge colonial legacies, interfere with market-driven imperatives, and open

pathways for imagining technological futures that are materially finite yet socially and ecologically attuned.

Question:

How can locally sourced materials like clay and sand redefine the aesthetics, ethics, and imaginaries of future technologies?

Collaborators WP2

Ismal Muntaha

Ismal Muntaha is a multidisciplinary artist who lives and works together with the collective Jatiwangi art Factory (JaF). In 2009, together with Sunday Screen, they initiated the Village Video Festival, an annual residency-based video festival in Jatiwangi. In 2017, he formed the Land Study Agency (BKP). A temporary institution that focuses on the study of land and all cultural landscapes contained in it, through various artistic projects. He recently completed a Master in Development Studies at Bandung Institute of Technology (ITB). Ismal has joined the master’s programme Planetary Poetics at the Sandberg Institute as a fellow.

Heerko van der Kooij

Heerko van der Kooij is an interaction artist & designer living and working in Amsterdam, NL. His work ranges from hacking small electronic artobjects to webdevelopment to teaching.

Amalie ‘Sveske’ Ourø

Amalie ‘Sveske’ Ourø (DK, she/her) is a multidisciplinary artist based in the Netherlands

Her work, mostly performative and site-specific, can best be described as a form of art-anthropology. Through installations, performance and poetry, Sveske interacts with the audience through acts of play and subversion, inviting people to think critically about diverse societal urgencies through the lens of ecology. Sveske graduated from the Image and Language department at the Gerrit Rietveld Academie with honours from participating in the Art and Research program. Amalie has exhibited in The Netherlands and abroad at Hunt Kastner Gallery, (Prague), MeetFactory, (Prague), Hotel Maria Kapel (Hoorn), Ron Mandos Gallery (Amsterdam), De Tweede Kamer (Den Haag), The Long Now (San Francisco), Arti et Amicitiae (Amsterdam), HYB4 Gallery (Prague) and the Stedelijk Museum (Amsterdam).

Together with Sophie Dandanell, Sveske is one of the main organizers, stewards and founders of the art - and garden-project ‘The Garden Department’ as part of Ugent Ecology, Gerrit Rietveld Academie & Sandberg Instituut, Amsterdam.

Sophie Dandanell

Sophie Dandanell (she/they) is an artist and educator based in the Netherlands. Their work explores ecological practices, material processes, and collective learning. She holds a bachelor from the Gerrit Rietveld Academie’s TXT department (2024) and is currently pursuing their master’s degree at the Dutch Art Institute (2026). At the moment, she is engaged with natural dyeing, soil, and garden-based research as ways to connect everyday encounters with shared knowledge.

She is currently affiliated with the Gerrit Rietveld Academie, where she co-organizes, together with Amalie Sveske Ourø, a para-educational platform called The Garden Department, which aims to integrate regenerative practices into art and design education. Moreover, she has presented performances and collaborative projects across the Netherlands, Denmark, Sweden, and Cyprus, including at Vleeshal, SPEL, Galleri 54, and Vrij Paleis. Her writing and interviews have been published in PAGES/LEAVES, An Ode to Walking, and she has contributed to conversations on regenerative arts education for institutions such as RISD (USA) and Fontys Academy of Arts (NL).

Benedetta Pompili

Martijn van Boven / Stichting LINK

Dorine van Meel

Dorine van Meel is a Dutch artist based in Brussels whose work spans moving image installations, performances, and publications. Her practice addresses various socio-political questions, using poetic language to expose current power structures while also exploring modes of resistance. She has exhibited at international venues including the South London Gallery, KW Institute in Berlin, Nottingham Contemporary, Transmediale, the 10th Berlin Biennale, and Extra City. Her collective projects reflect a commitment to feminist and self-organised methodologies, and include The Southern Summer School (BAK, Utrecht), Gentle Dust (Jupiter Woods & Berlin Biennale), and In the Eye of the Storm (rile, Brussels). From 2023 to 2025, she directed Planetary Poetics*, a master’s program at the Sandberg Institute focused on the ecological crisis and the ways cultural practitioners can engage with, respond to, and intervene in it. She currently teaches at the Rietveld Academie in Amsterdam, where she is also researcher at Urgent Ecologies.

Anja Groten

Anja Groten (DE/NL) is a designer and researcher based in Amsterdam. Anja’s work revolves around the cross-section of digital and physical media, design and art education and the involvement in different interdisciplinary collectives such as Hackers & Designers and the Feminist Search Tools. Since 2019 Anja heads the Design Master program of the Sandberg Instituut Amsterdam, Master of the Rietveld Academie. In 2022 Anja completed a PhD about the relationship of design and collectivity at PhDArts, Academy of Creative and Performing Arts, Leiden University.

Márk Redele

Márk Redele is project coordinator at Sandberg Research where they contribute to the development and operation of postgraduate research activities in the academy. They studied architecture in their origin country, Hungary, and received a master’s degree from Studio for Immediate Spaces in 2016. Since then, they have been a practicing artist pursuing self-initiated and commission-based works with a strong emphasis on material discovery. In their practice materials become the protagonists of stories personal and public, factual and fictive. These stories interrogate the subversive potential of simple material qualities such as porosity, softness and fluidity as well as the possibility of kinship, love and reconciliation in vibrant matter, under repressive conditions.

WP2 Planning Pad

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Schedule Earthbound Hardware

Internal work session 3: An eco-feminist and decolonial approach to hardware

Time and date Amsterdam: 20 April 14-16 CEST
Time and date Indonesia: 20 April 19-21 WIB
Location: Online with Stephanie Wuschitz
Participants: Heerko, Benedetta, Sophie, Amalie, Ismal, Mark, Anja, Dorine, Martijn + students/alumni
An online lecture and discussion around our critical framework, but also thinking together with Stefanie what could be an interesting experiment with the clay pcb
Take notes here:
https://etherport.org/w/rsr::Connecting_Otherwise::WP2:_Earthbound_Hardware::WP2_Internal_Worksession_3:_Eco-feminist_and_decolonial_hardware.md

Internal work session 2: Unpacking the world of computer chips

Time and date: 30 March 11.00 - 13.00 CET (for Ismal 15.00 - 17.00)
Location: presentation by Martijn at the Sandberg Institute
Participants: Heerko, Benedetta, Sophie, Amalie, Ismal, Mark, Anja, Dorine
Read the notes from the session:
https://etherport.org/w/rsr::Connecting_Otherwise::WP2:_Earthbound_Hardware::WP2:_Internal_Worksession_2:_Unpacking_computer_chips.md

Internal work session 1: Connecting otherwise

Time and date: Friday 6 March 10:00 am CET
Location: online
Participants: Stefanie, Heerko, Benedetta, Sophie, Amalie, Ismal, Mark, Anja, Dorine
Each participant presents their practice for roughly 15 minutes and gives insight into the link to our project.
Read the notes from the session:
https://etherport.org/w/rsr::Connecting_Otherwise::WP2:_Earthbound_Hardware::WP2_Internal_Worksession_1:_Introductions.md

Internal work session 4: Speculative methodologies for earthbound hardware

Time and date: April (4 hours)
Location: t.b.c.
Participants: Heerko, Benedetta, Sophie, Amalie, Mark, Anja, Dorine + students/alumni
Workshop given by workshop specialists to the members of our work package.
Note: How to communicate this with Ismal?

Internal work session 5: Preparing the Earthbound Hardware Workshops

Time and date: April (2 hours)
Location: online
Participants: Heerko, Benedetta, Sophie, Amalie, Mark, Ismal, Anja, Dorine
An online meeting to prepare our student workshop.

Student Workshop Amsterdam: Earthbound Hardware

Time and date: May (4 hours)
Location: Gerrit Rietveld Academy
Participants: Heerko, Benedetta, Sophie, Amalie, Mark, Dorine and students
Workshop for students given by work package specialists.

Workshop Jatiwangi: Earthbound Hardware

Time and date: May (4 hours)
Location: Jatiwangi
Participants: workshop given by Ismal with local participants
Workshop for local participants given by Ismal.

HARDWARE AND ECO-FEMINIST ART Hacking and Artistic Practices Towards Ethical Technology

Patrícia J. Reis Stefanie Wuschitz

(download PDF for free)

https://www.transcript-verlag.de/978-3-8376-7862-8/hardware-and-eco-feminist-art/?c=310000017

Summary of the chip-making process: https://www.linkedin.com/posts/challakcr_from-sand-to-silicon-the-5-stage-journey-activity-7391771568693186560-Mf_x/

https://download.intel.com/newsroom/kits/chipmaking/pdfs/Sand-to-Silicon_32nm-Version.pdf

Decapping process: https://www.youtube.com/watch?v=mT1FStxAVz4

Cyborg Manifesto - Donna Haraway: http://pdf-objects.com/files/Meerdo-HarawayCyborgManifesto.pdf

Bio’s

Heerko van der Kooij is an interaction artist & designer living and working in Amsterdam, NL. His work ranges from hacking small electronic artobjects to webdevelopment to teaching.

Amalie ‘Sveske’ Ourø (DK, she/her)

Is a multidisciplinary artist based in the Netherlands

Sophie Refsgaard

Sophie Dandanell (she/they) is an artist and educator based in the Netherlands. Their work explores ecological practices, material processes, and collective learning. She holds a bachelor from the Gerrit Rietveld Academie’s TXT department (2024) and is currently pursuing their master’s degree at the Dutch Art Institute (2026). At the moment, she is engaged with natural dyeing, soil, and garden-based research as ways to connect everyday encounters with shared knowledge.

Benedetta Pompili

Martijn van Boven

Anja Groten (DE) is a designer and researcher based in Amsterdam. Anja’s work revolves around the cross-section of digital and physical media, design and art education and the involvement in different interdisciplinary collectives such as Hackers & Designers and the Feminist Search Tools. Since 2019 Anja heads the Design Master program of the Sandberg Instituut Amsterdam, Master of the Rietveld Academie. In 2022 Anja completed a PhD about the relationship of design and collectivity at PhDArts, Academy of Creative and Performing Arts, Leiden University.

Internal Worksession 1: Introductions

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Internal work session 1: Connecting Otherwise Introductions

Time and date: Friday 6 March 10:00 am CET
Location: online
Participants: Stefanie, Heerko, Benedetta, Sophie, Amalie, Ismal, Mark, Anja, Dorine
Each participant presents their practice for roughly 15 minutes and gives insight into the link to our project.
Introductions
Benedetta:
social desihner, cermaics and textiles on the side of school, ceramics workshop
materials of truth finding mediums
witness geological change coming from past
highlght changes / impact on the land
ppolitical and economic relationshops they have
movements and staying in the land / witnesses
composition of material / addressing its impact
aspestos embedding into concrete
involving waste into the work
reconstructions of archeological findings, from the river the clay comes from
Fabers permanent collection: Romania, working with industrial waste, site specific locations
what was present in the composition of this waste
looking back tot he history of the material through its composition
material: learning through making
political aspects of materials / vuur collective
conductive ceramics & their geographies
all kinds of ceramic materials involved in technology
wants to get to know the processes involved in making them
sharing the impact they have
knowledge she brings to the group: ceramic medium, clay plast and glazes / granual work / attention to the history behind these materials
approach / not top down but bottom up / open source
How do you fnd the plolution in the materiAL
- wasnt necessarily looking for it
- landfill was toxified / couldnt use it / problem for the future, you cannot reuse it
- inspired looking into the byproduct of reuse
- not using it in toxic state / but should be safe
- toxicity was a starting point to reach out to sciences
- glaze making has a toxic history / led was used / lower melting point
- toxicity is a daily notion in the workshop
Sophie
garden department: facilitating
texts, natural dyeing, EU project, climate neutral cities, governance models
interested in locality
arrange walks / faciliating
reading and working abotu soil
thinking about soil - publication
thinking about locality of spaces
transfer of knowledge, that you cannot necessarily see
how does knowledge pass through hardware
natural dyeing
working with kids / material processes / hands-on seeing / different processes
works with performance / vleeshal middelburg
clay / bark in petri dishes
doesnt know so much abotu digital hardware / new subject / no predescribed knowledge
does organizing work
gaining knowledge, what are the means of collective knowledge
process as important as output / how to collaborate together
CrAFT: EU project / collaborative governance models / different working groups from different place in EU
- craft-cities.eu
- garden departmetn through urgent ecologies
- funded for maintenance hours / 1-2 gardening days depending on the season / collab with basic year
- faciliating students in the garden
Amalie
- gardenar, multi-disciplinary artist
- performnace, site specific
- art anthropoligy / what it means to be a human in this time in relation to sustainability / ecology as epicenter of her practice
- also critical towards anthropoligy
- hands-on /really engaging human and more than human
- reflecting on society
- working in own methodology / code of conduct / wants to work as sustainable as possible in her practice /
- installation as performance, disassembling after giving back to environment
- garde within an institution
- merging academy thinking with seasonality and ecology workign with students and staff
- part of living community managing this entity
- 2022 gradauted from image and language
- Green Green GRas project at Maria Kapel residency
  - 18 varieties of grasses / grass beds
  - relation between human and grasses
  - interdependant relation with grass /
  - square beds / dividng agricultural land since 2nd world war
  - interviews with local farmers / video of farmers hands talking about farming / grass landscapes
  - problematic way dutch agriculture in NL is handles is not sustainable anymore /depletion of the land / too much focus on life stock
  - urbanism and right to the city / performances / relating that to ecology / what happens in the city is a ongoing performance
    - related to hardware / ongoingness
  - collecting clay from the streets / concerned with contamination / keeping it very local / materials from the eye
    - can be decomposted after
  - new to feminist hardware / hands-on social person enjoys connecting to peoplke and using it as part of the research
  - wants to get hands-on / connecting to the land
- interested in afterlife of projects, how to bring this more holsitic thinking to the students
Heerko
artist, technologist, educator HKU
part of H&D / creating egalitarian learning formats
H&D summer school
hacking, repurposing, misusing technologies
repurposing battery powered toys
mud battery with hackitects
sourcing local soil
using the bacteria in the soil to lighting up leds
creating different way of interacting with technology.
moments of collective learning, short, limited in time and people who can participate, how to store this knowledge?
reason to publish, making experimental publications
using and making open source tools to make public our practice
conductive books
creating a lot of different tools and continue developing them
workshop making musical instruments / solar cells / repurposed electronics / creating voltages
the hmm / platform for internet culture / short workshop around a data center tour in northern part of holland / large datacenter for big companies google, meta…
- transistors, ccentral aprt of computers and electronics, in a phone a few billion of transistors
- making of wands with 4 transistors and a led, act as an atenna that pics up electro magnetic fields from wifi, bluetooth, … with the wands these fields could be explored
- long shutter photography wifi routers and their signals could be visibilised
what is interesting is that the clay pcb is something very functional but the arduino itself doesnt have a specific function. yet
connection to ismael’s project making instruments from clay / making an enormous concert, 11.000 people were participating
H&D did a noisy performance too / also at muziek gebouw with musicians
Ismal
live and practie interconnected
tana / clay > everything is related to tanah
area known for roof tile producer, there is a lot of clay in the region
since colonial. time shaped as industrial area
sugar production
new industry: nike puma
building relation to land / creating rutuals
there are no teraditions in industrial areas
creating new traditions relatinf to land / clay
creating industries / roof tile guitars / made from the same clay as rooftiles
the tile is part of their identiy /
roof tile workers have good muscles / body builders / body builder festival for roof tile workers
from commodity to identuty / creating proudness
soil / into different materialityes / terracotta / low firings / good for roof tiles
inviting artists and designers to jatiwangi
maybe clay can be good for skin
skin care from clay
stock market with terracota things
building relation with farming, supernatural farming, another ritual
- imam praying in rice fields
for 20 years / doing many things
projecting into a collective imagination / every 3 years rooftile fesitval, throusands of people even police, army, living in same neighborgood, everyone comes to make own composition, practicing together and hten playing together
collective statement in midst of industrualization / reclaim they have a culutre / own imagination as collective / culural ralation to soil and lan d
collective forest: making a forest
tanah should have 3 dimension :materilaity, land (in midst of land grabbing), culture
summit in kassel / documenta / inviting policy makers
jatiwangi beside being industrual area its also a cultural area
how do you invvolve so many people? organizing them?
- living in the rural area
- now industrial expansion.
- living together with neighbors
- we are not working for community we ARE the community
- socio ecological capital witin our familaies
- at documenta also our mayor came, also a high school friend
- its not about transfer of idea, but sharing the interest
- one gangster group: changing image from criminality to creativity
- reclaiming the culture
- Find Rampak Genteng on youtube to experiene the sound
organization hierachy
- ismael is the director
- how do you organize?
- ismael works as director because he needs this for official report
- in relatity is more family based
- in his house they are living with 50 people / organizing is organically
- are there any rules? if someone likes designing we ask him to do design Mark
research coordinator
material library / material processes that underlies the GRA
prototype https://materials.sandberg.nl/
artist, how material are able to uncover different stories / narratives
attending to these materials through artistic making

Internal Worksession 2: Unpacking computer chips

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Internal work session 2: Unpacking the world of computer chips

Time and date: 30 March 11.00 - 13.00 CET (for Ismal 15.00 - 17.00)
Location: presentation by Martijn at the Sandberg Institute
Participants: Heerko, Benedetta, Sophie, Amalie, Ismal, Mark, Anja, Dorine

Talk by Martijn van Boven

NXP: manufacturer for semi conductors / computer chips / appraoched marttijn because they have an archive and didnt know what to do with it.

massive manufacturing in nijmegen,

first you had philips and then they sold the company and it became nxp

previous employers started collecting and preserving things

interesting that an abstract technology like computer chip, is made by peo0le, social aspects of that

we were going to visit the archive, unfortunately had to move

the previous building is now used for dutch army to do exercises for urban warfare

martijn brought some artefacts

technical drawings, books, machines, applications, (telefones, radios…) diverse archive

wafer: through litography, how computer chips are being edged

rudamentary process: you make a drawing, you make a mask (glass?) from the drawing

optical chemical process

its like a photogram

silicium bar

computer chips are made from sand, ‘purity’ of sand is important

refining high purity quartz / semi conductor chips, fiber optics / north carolina

mine is still active

martijn went to several mines in the world / norway, chile (lithium)

high precision always starts with very dirty process (environmentally, corruption)

water is needed to separate different materials from each other

the hyper hyigenic of our devices starts always with a dirty process

initially quite crude production circumstances, not refined, more like a factory

factory was not safe, air was not purified, people didnt clean themselves,

through the decades the processes became more and more precise

film in the archive “behaviour in the clean room”

silicion melts, then you put a cristal into amoulded silicion.. the silicium sticks to the crystal

it becomes round because of the atomic structure

surface of the waver needs to be as flat as possible, the silicium has the right atomic structure for that

sand needs to be as pure as possible, no metal

the crystal is also made from sand

silicium sausage cut with a diamond cutter

hand drawn technical drawings of computer chips / starting large (2 x 6meters)

today the drawings are computerized

now they are restoring and preserving the technical drawings

how come, how computers are made, is not taught in school? demysitfication is important

kilo girls / article ?

https://www.theatlantic.com/technology/archive/2013/10/computing-power-used-to-be-measured-in-kilo-girls/280633/

230.000 employers in NL around the time

huge influence on NL

“nette meisjes” very catholic region, (precision, and properness)

if you were from a lpower class, philips was paying for your education

if you didnt want to go to the army, you could go to work for philips

all manual labor was done by women

engineering vs manual labor distrimination

[ watching film: “how to behave in the clean room ]

Real Girls’ Work - August 7, 2024

By Lua Vollaard

https://superkilogirls.com/post/real-girls-work

https://superkilogirls.com/

https://stichtinglink.nl/the-archive

https://www.youtube.com/watch?v=BpORXX8fzi0

Ismael had a question on the use of ceramics in computers

Ceramics used in computation for electronics, as isolation materials

Karl Marx asked money from senior Philips to write Das Kapital and fund his writing time/travels

The letter in which he did this is documented as well as a subsequent mail to Engels in which he informs him that he received the money

Initially the silicium might have been sourced from the river Maas but it’s doubted by many because of the impurities

Internal Worksession 3: Eco-feminist and decolonial hardware

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Internal work session 3: An eco-feminist and decolonial approach to hardware

Time and date: 20 April 14.00 – 16.00
Online workshop with Stephanie Wuschitz
14.00 - 15.00 An online lecture and discussion around eco-feminist and decolonial approaches to hardware.
15.00 - 16.00 Internal work session with the Aethbound Hardware working group
BIO
Stefanie Wuschitz is an artist, activist and researcher investigating strategies to demystify and decolonise technology. She applies critical media practices like feminist hacking, open-source technology and peer production to create interactive installations and animations. She founded the feminist hacklab and art collective »Mz Baltazar’s Laboratory«, which she co-organised until 2023, and conducted several arts-based research projects as PI at Akademie der bildenden Künste Wien and Technische Universität Berlin. Together with Patrícia J. Reis she is the author of Hardware and Eco-Feminist Art Hacking and Artistic Practices Towards Ethical Technology, published by transcript Verlag. *

Internal Worksession 4: Speculative hardware methodologies

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Internal work session 4: Speculative methodologies for earthbound hardware

Time and date: April (4 hours)
Location: t.b.c.
Participants: Heerko, Benedetta, Sophie, Amalie, Mark, Anja, Dorine + students/alumni
Workshop given by workshop specialists to the members of our workgroup.

Internal Worksession 5: Workshop Prep

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Internal work session 5: Preparing the Earthbound Hardware Workshops

Time and date: April (2 hours)
Location: online
Participants: Heerko, Benedetta, Sophie, Amalie, Mark, Ismal, Anja, Dorine
An online meeting to prepare our student workshop.

Student Workshop Amsterdam

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Student Workshop Amsterdam

Time and date: May (4 hours)
Location: Gerrit Rietveld Academy
Participants: Heerko, Benedetta, Sophie, Amalie, Mark, Dorine and students
Workshop for students given by work package specialists.

Student Workshop Jatiwangi

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Workshop Jatiwangi: Earthbound Hardware

Time and date: May (4 hours)
Location: Jatiwangi
Participants: workshop given by Ismal with local participants
Workshop for local participants given by Ismal.

Small File Publishing

This workgroup aims to shift the prevailing paradigm of technological advancement from “move fast, break things” and “always on, always available” towards approaching slowness (slow loading time, slow processing) and lowness (low energy, low tech, low bandwidth, low resolution, low fidelity) as generative and creative lenses through which to engage with digital technology. As such, this WP is carried by a concern about “bandwidth imperialism,” a term coined by our collaborators from the Small File Media Festival, and questions ideals such as net neutrality and equal access to high-speed internet. These ideals are globally unattainable because they are based on a first-world view of digital access. This view doesn’t match the reality of the use of digital technology in a large part of the world.

Question:

How can embracing slowness and lowness as artistic and technological principles challenge dominant digital paradigms and inspire more materially conscious, ecologically sustainable digital practices?

Collaborators WP3

None

Pad name: WP3 working pad

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Connecting Otherwise

Work Package 3: Small File Publishing

01. Paquete Structure of Folders.jpg

In this workgroup we aim to shift the prevailing paradigm of technological advancement from “move fast, break things” and “always on, always available” towards approaching slowness (slow loading time, slow processing) and lowness (low energy, low tech, low bandwidth, low resolution, low fidelity) as generative and creative lenses through which to engage with digital technologies. We engage with the concept of “bandwidth imperialism,” a term coined by our collaborators from the Small File Media Festival, which questions ideals such as net neutrality and equal access to high-speed internet. On a global scale, these ideals are unattainable because they are based on a perspective of, and engagment with, digital access that is often relegated to the Global North. How can we make small files for environments with light infrastructure? In this workgroup we will work hands-on with small file tools and practices, explore the materiality of the small file, and engage with compression aesthetics and our own relationship to the ‘high resolution’ image.

planning (as outlined in the original project plan) for reference;
- start in April 2026 with some desk research
  - April - June for desk research
  - October - December for desk research
- outreach in May (to other collaborators)
- September, October, November 2026 for the internal work sessions (but we can have them earlier)
- workshop testing - November 2026 and February 2027
  - suggestion for test workshop with Nestor to be in February 2027 since November 2026 doesn’t work (RIJKS open)
- contribution to final program in May and June 2027 —> this might be postponed to September 2027
- outcome is 2 test workshops (with students and the public) and one workshop for the workshop program at the end

WP3 - Internal work sessions summary and date suggestions

In our internal work sessions we want to take an approach of doing / making as we think about the questions around the small file that we want to engage with.

Internal work session #1: small file tools and practices - May and June 2026
This work session will be led by Laura, Joni, and Radek, who will be sharing the tools and practices of the SFMF. This session extends from an interest in developing a curriculum around the small file and sharing tools that the SFMF has been developing. The big time difference between the Netherlands / Ireland and British Columbia makes it a bit tough to align with everyone and do a three-hour session together. I suggest that we split the sessions into smaller parts to make it a bit easier and Radek leads one of the workshops/sessions alone and then Laura and Joni do another one. My suggestion is the following:
Part 1: Presentation from Radek of the environmental impact of streaming and the research SFMF have done around this topic, as well as a more hands-on workshop on different methods and options for compression, and the choices that are made (i.e. learning about data moshing techniques and open source programs that can be used for making small files). Following this session I suggest that we then have two weeks to try out the different methods Radek showed, and document them, so we can discuss them together in Part 2. * date suggestions (please put a check mark ✅ on the moments that work for you): * Monday May 25: 14h-17h (Amsterdam-time) * Tuesday May 26: 10-13h (Amsterdam time) ✅ * Tuesday May 26: 14-17h (Amsterdam time) ✅ * Friday May 29: 10-13h (Amsterdam time) ✅ *
Part 2: Joni from SFMF presenting small file web production methods * This session will start with us discussing our experiences with the different tools that we learned about in Part 1. This will be followed by a presentation from Joni about small file web production methods. * date suggestions (please put a check mark ✅ on the moments that work for you):
* Monday June 15: 17-19h (Amsterdam time) * this is towards the evening because of the time difference with Joni who is also in British Columbia * Tuesday June 16: 17-19h (Amsterdam) * this is towards the evening because of the time difference with Joni who is also in British Columbia ✅
Internal Session #2: the materialities of the small file - September 2026
This session will be about inspiring us to look at different ways to work with hardware in relation to small file media. How can we make small files for environments with light infrastructure? This can include thinking about working with old cameras and old phones, building our own hardware, or hacking certain tools together. For this session we will invite Nestor Sire to share his work and his artistic practice, as well as the computers that he builds. Extra note that Radek wants to ask the Frugal Media group from Cork to also join the session.
**Internal Session #3: compression aesthetics and narratives - October 2026 **
The suggestion for this session is to look into compressional/compression aesthetics, and invite Marek and Judith from the Vrij Universiteit (@Radek, could you confirm their names? I couldn’t find them based on how I wrote their names). In this session we can think about how we can rethink our relationship to the image and the way we attribute ‘quality’ to something that is more high res. How can we make these kinds of aesthetics desirable for different kinds of publics? I also suggest that Juliette can be part of this session and lead a talk around the creation of narratives and aesthetic experimentation around the small file.
Extra note: there was a suggestion from Laura to invite Mehvish Rather.

In this section, please make a list of artists, researchers, writers, filmmakers, programmers, etc, who are working with the small file, challenging the aesthetics of compression, and creating their own tools to experiment with low-bandwidth image making. This is content that can go into the publication that we are developing.

WP3 Meeting - 5 March 2026

Agenda

Introduction of Juliette to everyone
Brainstorm of research focuses
Planning of work sessions
Budget questions

Meeting Notes

1. Juliette introduction

Different roles in H&D, production, documentation, giving workshops
in individual practice works with video, live action role play and collaborates with people a lot
- fictional lore, games, video documentation
- in own audio visual practice inspired by working methods of H&D, self developed video player
- radio, audio streams, reaction to crisis like covid, dealing with taking less space but also anonimity and telling stories in a cryptic way
https://jujulove.eu/ Radek introduction
teachning critical media trinity college dublin
have been involved with small file media for many years
experimemtnal media practice from pov of sustainability
workshops in dublin: how can we develop a more sustainable wokrflow
started a module in climate leadership so its important to have more fixed knowledge about climate impact of streaming
reference to Clint Sleeper’s work: https://www.clintsleeper.com/ Laura introduction
- media scholar, media artist
- streaming movies with tiny bit rate
- moving image / communicating discretely (workshops in Tehran, Kashmir, etc.,)
- story telling discretely / privacy /
- small website / tiny online players by Joni Schinkel Brainstorm
synergy of practices
speculative world building / lore making
internal work sessions taking an approach of doing / making
how do we want to document and published what is being developed
printed publication and a website and they work with the same pads
hybrid publication: logic for dividing content between the two
documentation on how the small file media website was made
publishing broadly interpreted: dissemination, documentation, streaming
laura and radek taught online small file workshops that were 3 hours
joni could present web production methods that he developed, laura and radek could presernt small file methods they developed, we could go offline and hten try out some tools, and come back and return to discuss
Laura: trying different options of compression, could be other methods too, you could begin with choosing your camera, could be animation, small camera apps, coming to a point where we have media that could be compressed
Radek: start with small file media talk from environmental standpoint, 20 min presentation on different techniques, slide dek, showcaseing, then focus on compression aesthetics,
2 hrs, method data moshing > geeky (you never knwo what you get) you need specific type of footage / high contrast / showing workflow / 2-3 open source programs
handbrake > compress to image into small file
end workshop: one more hardware (cameras) focussed? the other one more software / aesthetics focussed
2 methods: small file movies / small file platforms

Most people would probably be interested in making high quality but small bitrate, appealing to places with lower infrastructure

2. Research focuses for the desk research period: April - May 2026

from our last meeting, some of the interests/directions might be:
- developing a curriculum around the small file and sharing tools that the SFMF has been developing (Laura)
- developing a handbook around the small file (Radek)
- making technologies now to prepare for future collapse (Laura)
- ways of working with old cameras and old phones; to convince students to use this
- building our own hardware, or hacking certain tools together (Margarita)
- different programs and tools that can be used for compression aesthetics; how to develop a complete workflow for these processes(Radek)
- moving image communicating discretely (Laura)
based on this research we can organise our work sessions
decide which workshops at Rietveld/Sandberg we want to work with
- editing workshop
- media lab
- Anja and Mark will do an open call for this

3. Planning / brainstorming of work sessions:

Internal work session #1: small file movies
- maybe this could be with Laura, Joni, and Radek sharing the tools and practices of the SFMF?
  - we could all then go offline and experiment with some of the tools
Internal Session #2: hardware
- this could be with Nestor Sire https://nestorsire.com/
- making small files for environments with light infrastructure
- hardware aspect
- make our own camera/ recording device with old devices/ how things are powered
- Radek wants to invite someone from Frugal Media (group in Cork)
  - https://www.instagram.com/frugalmediaresearchgroup/
Internal Session #3: compression aesthetics
- perhaps we could invite Marek Yankovitch and Judith from the Vrij Universiteit > compressional aesthetics
- compression aesthetics
- how to make these desirable for different kind of publics
- encryption, transmitting messages / stories / not so interested in aesthertic experimentation but more encryption part of small files / not thought about so much / can laura share some research / could there be an interview /text about this topic? presentation by laura on encryption / can we invite additional people? Mehvish Rather (Laura will reach out)
  - we can highlight related people / researchers / filmmakers in the publication
  - making a handbook / curriculum? how to document each work session?
  - small file media already working on curriculum / trying to find funding for
    - SFMF will have a meeting to discuss how to best document tools and publishing them in way that feels good to the ortganization
Open call for workshops and workshop specialists -> survey of what is there

4. Budget questions:

Payment schedule and invoice info
any open questions / concerns

WP3 Meeting - 13 Jan 2026

Margarita, Anja, Laura, Radek

Agenda

small introductions
- Laura is in vancouver at Simon Fraser
  - doing research on the carbon footprint of online media
    - founded small file festival in 2020
    - much better known locally in Vancouver
    - got a Guggenheim fellowship to develop workshops around the world
      - the idea was to do the workshops to also teach these methods and to encourage people to disseminate them
- Radek
  - based in Trinity College, teaches a contextual media course
  - currently doing a post-doctoral project on Quantum Policy, through the lens and point of view of values
  - students have been asking about a handbook, so that could be interesting
    - etherport as a tool to create the handbook
  - Radek has been thinking a lot about the workshops that we could develop together
**General thoughts / sharing: **
- Anja: embrace the small file aesthetics, also in printed files
- Laura: at SFMF they have been working on these topics for years but they have little funding for this
  - they want to develop a curriculum for this
  - they have tips on their website, that people do use a lot
  - Joni has created a web player and a website that is less than 1.44MB
    - if you play a small file on Vimeo, it actually turns it into a large file
  - Laura wants to share those tools and ways of working that Joni has developed
  - they are also working on the pixel squisher
- The project is about continuation and sharing
  - disseminating all this knowledge
- Radek: important to take it slow, and not create new ideas all the time to keep up
- Anja: it’s really important to use the tools and work side by side through hands-on engagement
- Laura: initiatives for green media making is always focused on production, and not on file size, or the size of files that are transmitted. This is where they really have something to share
  - the production of computers and hard drives is so ecologically intensive.
  - working with 1.44mb per minute
- Mark: the editing workshop has an interest in thinking about smaller files
- Radek: important to make people think about creating smaller files
- Laura: the radical criterion is interesting for experimental filmmakers
- Laura: a chapter of her book is on collapse; making technologies now to prepare for future collapse (this is more for the global north)
  - global south practice is learning to make-do with minimal technology, minimal infrastructures
    - these are two practices that we can look at
    - how do we learn from the global south and make these practices more systemitised
- Laura wants to systematise some of their small file practices
  - ways of working with old cameras and old phones; to convince students to use this
  - Radek is interested in various ways you can use compression to get specific effects
    - thinking about different programs and tools that can be used for compression aesthetics
      - how to develop a complete workflow for these processes
      - want to develop sound design
  - Laura wants to systematise the new apps for making small files, need to experiment with this
- Radek, things are sustainable part of the way, but then you end up using Adobe
  - looking at other companies that are more sustainable; open source, etc.
- Laura: wants to spend some time looking at the small apps are out there already for filming small, editing small
- Radek: Marek Yankovitch and Judith from the Vrij Universiteit > compressional aesthetics
**planning **
- start in April 2026 with some desk research
- outreach in May (to other collaborators)?
- workshop testing - November 2026
- contribution to final program in May and June 2027
**budget **
- what is available and the in-kind contribution from small file media festival
  - €12,154 budgeted for small file costs
  - in kind contribution of €2400
  - so that means €9754 available from budget
- Laura’s time will be an in-kind contribution
- Radek will be paid for the work that he does
- other small file freelancers will be paid from this budget
discuss how we each work
- Laura:
  - in courses they teach students how to make small files
  - at festivals they teach students how to make small files through workshops
the outcomes of the project
- “Each work package will result in 2–3 workshops, with a focus on hands-on and participant-empowering experiences designed for diverse educational and professional settings”
- contribution towards documentation and research
set next meeting

Workshop Meeting _ 6 Jan 2026

Niels Albers coordinates all the workshops, responsible for the booking system, and organising the practicum generale, to teach hands-on workshop skills to students
- interesting in materials, wood, welding, etc
- Niels is like an interface between the workshops, education, and research
- the people who are working in the workshops have a lot of knowledge, skills, and other things related to their art practices
- there are 23 workshops
The idea is for each of the work packages to be connected to the workshops at Rietveld/Sandberg
- the idea is that we co-develop the ideas and plans with the workshop specialists
- the final result will be a small symposium and a series of workshops
Dorine
- focused more on hardware and what they call “earthbound hardware”
- looking at the ecological impact of hardware and these materials
- looking at the mining industry in the DRC
there is tension in the workshops in terms of what people are being paid and the scale they are paid
- the workshop specialists will be paid for the extra work for this project
Juliette from H&D will join our work package
For WP3 we could also look into publishing and PDFs, low resolution printing
- chip making could also be a part of it
Niels suggests doing a general introduction to all the workshops, and then we can meet some more specific workshop people
- film and editing studios could be a nice collaboration
- media lab could also be interesting
- Lars from the photography workshop could also be interesting
- web-to-print and printing lab
- Anastasia who works in the computer workshop and in the large print workshop, and into Unity and VR
- X Lab
WP4: Ancestral connections
- the way the sun is affecting digital physicality and the digital signal
- space weather is important because we are relying on technology that is affected by the sun
- using android phones to map the earth
- the protective layer of our atmosphere and the impact on technologies
- lenses, light, sensitivity to light
- WeavingWorlds collective at NDSM
WP1:
- more meta work package that connects all the workshops
- doing some desk research and other research on the needs of people
- using etherport as a reporting tool but also revisting the etherport web-to-print to see how to make it better
Action plan for the next steps
- workshop tour on Tuesday the 12th

Collaborators

This should show up.

Ancestral Connections

This workgroup aims to investigate the colonial implications embedded in network technologies through the materiality of fiber and the practice of weaving. Grounded in the histories and material traditions of the Kalinago Territory and the broader Caribbean, the research examines how indigenous weaving practices, basketry, and fiber arts can inform more regenerative, non-extractive approaches to technological infrastructures. Engaging with textile structure offers a tangible entry point into the often intangible realities of digital infrastructure. Through cross-disciplinary artistic methods, it seeks to uncover new ways of conceptualizing networks, circularity, and resilience, using bio-based materials and ancestral techniques to imagine ecological alternatives to current digital and material systems.

Questions:

How can the materiality of fiber and the practice of weaving reveal colonial implications embedded in network technologies?
In what ways can a situated perspective on fibers inspire alternative, more equitable and regenerative forms and aesthetics of digital connectivity?

WP4 Planning Pad

You can edit this pad by visiting: https://etherport.org/w/rsr::Connecting_Otherwise::WP4:_Ancesteral_Connections::Internal_notes.md

Note: changes may not show up directly in the site

hello

Connecting Otherwise

Connecting Otherwise

Connecting Otherwise

Developing artistic/design research methodologies and workshop formats for regenerative digital practices

Table of Contents

Test BB Mi

Hola everyone

Thanks Gijs for the workshop and overview <3

**I am excited!

**and also intimidated :_

**Bb

Small File Media Workshop

*interesting-practice*Small-file Media Screening at Rory Gallagher Theatre, MTU Bishopstown Campus, Cork, 24th March 2026. A Review

Collecting and Connecting

Collaborators WP1

Internal work session 1: Documentation & publishing infrastructure

Agenda

Please prepare:

Schedule

Structure proposal preliminary website:

Documentation workflow:

To dos:

Internal Session #2: Commoning, exploring collective ownership

Testing Things

Colophoning Together

Expansive colophon(ing) & WEB-to-PRINT or WEB and PRINT

colophon > reflectionPUB's collective effort

Screenshot 2026-03-31 at 13.37.02.png

Resources

Commoning

WP1 Planning Pad

**Preliminary meeting: **

**Internal work session #1: Documentation & publishing infrastructure **

Internal Session #2: Commoning, exploring collective ownership **

**Internal Session #3: Expansive colophoning ‘collective tool ecologies’ + preparing student workshop **

**Student workshop(s) / Practicum Generale: **

**November - December **

Wishlist and Bugs

Big missions

Medium

Smaller tasks

Hacks and Workarounds

networks

Earthbound Hardware

Collaborators WP2

Ismal Muntaha

Heerko van der Kooij

Amalie ‘Sveske’ Ourø

Sophie Dandanell

Benedetta Pompili

Martijn van Boven / Stichting LINK

Dorine van Meel

Anja Groten

Márk Redele

WP2 Planning Pad

Schedule Earthbound Hardware

Internal work session 3: An eco-feminist and decolonial approach to hardware

Internal work session 2: Unpacking the world of computer chips

Internal work session 1: Connecting otherwise

Internal work session 4: Speculative methodologies for earthbound hardware

Internal work session 5: Preparing the Earthbound Hardware Workshops

Student Workshop Amsterdam: Earthbound Hardware

Workshop Jatiwangi: Earthbound Hardware

Resources to share

Bio’s

Internal Worksession 1: Introductions

Internal work session 1: Connecting Otherwise Introductions

Internal Worksession 2: Unpacking computer chips

Internal work session 2: Unpacking the world of computer chips

Talk by Martijn van Boven

Internal Worksession 3: Eco-feminist and decolonial hardware

Internal work session 3: An eco-feminist and decolonial approach to hardware

Internal Worksession 4: Speculative hardware methodologies

Internal work session 4: Speculative methodologies for earthbound hardware

Internal Worksession 5: Workshop Prep

Internal work session 5: Preparing the Earthbound Hardware Workshops

Student Workshop Amsterdam

Student Workshop Amsterdam

Student Workshop Jatiwangi

Workshop Jatiwangi: Earthbound Hardware

interesting-practiceSmall-file Media Screening at Rory Gallagher Theatre, MTU Bishopstown Campus, Cork, 24th March 2026. A Review

Preliminary meeting:

Internal work session #1: Documentation & publishing infrastructure

Internal Session #3: Expansive colophoning ‘collective tool ecologies’ + preparing student workshop

Student workshop(s) / Practicum Generale:

November - December

Meeting Notes

3. Planning / brainstorming of work sessions:

4. Budget questions:

Agenda